若「造(zao)型藝術預想」是(shi)(shi)(shi)(shi)(shi)(shi)(shi)對設計初(chu)衷的(de)淺顯詮(quan)釋，對大眾居(ju)住功(gong)能的(de)協(xie)助(zhu)，則空(kong)間(jian)的(de)感知(zhi)，可視為(wei)眾多人生經驗中(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)最磅礴的(de)一課(ke)。古代的(de)人有氣吞(tun)山河，有胸懷天下，有竹窗分籬為(wei)院(yuan)，今人有摩天大樓(lou)，博物館展(zhan)廳設計還有微(wei)信朋友圈，都(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)空(kong)間(jian)的(de)，心靈的(de)，身體的(de)，都(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)空(kong)間(jian)的(de)，都(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)知(zhi)性的(de)，都(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)古的(de)，都(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)知(zhi)性的(de)，都(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)在(zai)(zai)(zai)(zai)(zai)繁華(hua)之后的(de)，都(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)未明的(de)，都(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)在(zai)(zai)(zai)(zai)(zai)虛(xu)(xu)無(wu)(wu)(wu)(wu)中(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)，都(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)在(zai)(zai)(zai)(zai)(zai)虛(xu)(xu)無(wu)(wu)(wu)(wu)中(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)，都(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)在(zai)(zai)(zai)(zai)(zai)虛(xu)(xu)無(wu)(wu)(wu)(wu)中(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)，都(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)在(zai)(zai)(zai)(zai)(zai)虛(xu)(xu)無(wu)(wu)(wu)(wu)中(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)，都(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)在(zai)(zai)(zai)(zai)(zai)虛(xu)(xu)無(wu)(wu)(wu)(wu)中(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)，都(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)在(zai)(zai)(zai)(zai)(zai)虛(xu)(xu)無(wu)(wu)(wu)(wu)中(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)，都(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)在(zai)(zai)(zai)(zai)(zai)虛(xu)(xu)無(wu)(wu)(wu)(wu)中(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)，都(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)在(zai)(zai)(zai)(zai)(zai)虛(xu)(xu)無(wu)(wu)(wu)(wu)中(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)，都(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)在(zai)(zai)(zai)(zai)(zai)虛(xu)(xu)無(wu)(wu)(wu)(wu)中(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)，都(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)在(zai)(zai)(zai)(zai)(zai)虛(xu)(xu)無(wu)(wu)(wu)(wu)中(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)，都(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)在(zai)(zai)(zai)(zai)(zai)虛(xu)(xu)無(wu)(wu)(wu)(wu)中(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)，都(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)在(zai)(zai)(zai)(zai)(zai)虛(xu)(xu)無(wu)(wu)(wu)(wu)中(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)，博物館展(zhan)廳設計都(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)在(zai)(zai)(zai)(zai)(zai)虛(xu)(xu)無(wu)(wu)(wu)(wu)中(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)，都(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)在(zai)(zai)(zai)(zai)(zai)虛(xu)(xu)無(wu)(wu)(wu)(wu)中(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)，都(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)在(zai)(zai)(zai)(zai)(zai)虛(xu)(xu)無(wu)(wu)(wu)(wu)中(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)，都(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)在(zai)(zai)(zai)(zai)(zai)虛(xu)(xu)無(wu)(wu)(wu)(wu)中(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)，都(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)在(zai)(zai)(zai)(zai)(zai)虛(xu)(xu)無(wu)(wu)(wu)(wu)中(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)，都(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)在(zai)(zai)(zai)(zai)(zai)虛(xu)(xu)無(wu)(wu)(wu)(wu)中(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)，都(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)在(zai)(zai)(zai)(zai)(zai)虛(xu)(xu)無(wu)(wu)(wu)(wu)中(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)，都(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)在(zai)(zai)(zai)(zai)(zai)虛(xu)(xu)無(wu)(wu)(wu)(wu)中(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)，都(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)虛(xu)(xu)無(wu)(wu)(wu)(wu)中(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)，都(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)虛(xu)(xu)無(wu)(wu)(wu)(wu)中(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)，都(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)虛(xu)(xu)無(wu)(wu)(wu)(wu)中(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)，都(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)是(shi)(shi)(shi)(shi)(shi)(shi)(shi)虛(xu)(xu)無(wu)(wu)(wu)(wu)中(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)，都(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)在(zai)(zai)(zai)(zai)(zai)虛(xu)(xu)無(wu)(wu)(wu)(wu)中(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)，都(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)在(zai)(zai)(zai)(zai)(zai)虛(xu)(xu)無(wu)(wu)(wu)(wu)中(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)，都(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)(dou)在(zai)(zai)(zai)(zai)(zai)虛(xu)(xu)無(wu)(wu)(wu)(wu)中(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)(zhong)。

自從先(xian)秦以后，中華智慧逐(zhu)漸(jian)參與并(bing)深入大自然的覺醒，“二十四節氣”禪定成了一個特別的數字，熟悉而神秘。四季二十四節氣，太極二十四節氣，風水二十四節氣，山法二十四節氣，無窮變化，無與倫比。餐廳創始人就是用這種思維來做美食的，用現代的烹飪方法來重新演繹古代淮揚的食味。《二十四節氣》的成長過程似乎不是單純的建筑過程，舊廠房改造、空間狹小、自然采光雜亂等等，博物館展廳設計都只是平凡的外因，而賦予空間的血肉之軀，建立新的未明的體驗，從多維的角度，啟發人們對空間的感知和感受，是這次創刊所面臨的新課題。